Sunday, June 15, 2025

George Orwell - Notes on Nationalism

Somewhere or other Byron makes use of the French word longeur, and remarks in passing that though in England we happen not to have the word, we have the thing in considerable profusion. In the same way, there is a habit of mind which is now so widespread that it affects our thinking on nearly every subject, but which has not yet been given a name. As the nearest existing equivalent I have chosen the word ‘nationalism’, but it will be seen in a moment that I am not using it in quite the ordinary sense, if only because the emotion I am speaking about does not always attach itself to what is called a nation — that is, a single race or a geographical area. It can attach itself to a church or a class, or it may work in a merely negative sense, against something or other and without the need for any positive object of loyalty.
By ‘nationalism’ I mean first of all the habit of assuming that human beings can be classified like insects and that whole blocks of millions or tens of millions of people can be confidently labelled ‘good’ or ‘bad’(1). But secondly — and this is much more important — I mean the habit of identifying oneself with a single nation or other unit, placing it beyond good and evil and recognising no other duty than that of advancing its interests. Nationalism is not to be confused with patriotism. Both words are normally used in so vague a way that any definition is liable to be challenged, but one must draw a distinction between them, since two different and even opposing ideas are involved. By ‘patriotism’ I mean devotion to a particular place and a particular way of life, which one believes to be the best in the world but has no wish to force on other people. Patriotism is of its nature defensive, both militarily and culturally. Nationalism, on the other hand, is inseparable from the desire for power. The abiding purpose of every nationalist is to secure more power and more prestige, not for himself but for the nation or other unit in which he has chosen to sink his own individuality.
So long as it is applied merely to the more notorious and identifiable nationalist movements in Germany, Japan, and other countries, all this is obvious enough. Confronted with a phenomenon like Nazism, which we can observe from the outside, nearly all of us would say much the same things about it. But here I must repeat what I said above, that I am only using the word ‘nationalism’ for lack of a better. Nationalism, in the extended sense in which I am using the word, includes such movements and tendencies as Communism, political Catholicism, Zionism, Antisemitism, Trotskyism and Pacifism. It does not necessarily mean loyalty to a government or a country, still less to one's own country, and it is not even strictly necessary that the units in which it deals should actually exist. To name a few obvious examples, Jewry, Islam, Christendom, the Proletariat and the White Race are all of them objects of passionate nationalistic feeling: but their existence can be seriously questioned, and there is no definition of any one of them that would be universally accepted.
It is also worth emphasising once again that nationalist feeling can be purely negative. There are, for example, Trotskyists who have become simply enemies of the U.S.S.R. without developing a corresponding loyalty to any other unit. When one grasps the implications of this, the nature of what I mean by nationalism becomes a good deal clearer. A nationalist is one who thinks solely, or mainly, in terms of competitive prestige. He may be a positive or a negative nationalist — that is, he may use his mental energy either in boosting or in denigrating — but at any rate his thoughts always turn on victories, defeats, triumphs and humiliations. He sees history, especially contemporary history, as the endless rise and decline of great power units, and every event that happens seems to him a demonstration that his own side is on the upgrade and some hated rival is on the downgrade. But finally, it is important not to confuse nationalism with mere worship of success. The nationalist does not go on the principle of simply ganging up with the strongest side. On the contrary, having picked his side, he persuades himself that it is the strongest, and is able to stick to his belief even when the facts are overwhelmingly against him. Nationalism is power-hunger tempered by self-deception. Every nationalist is capable of the most flagrant dishonesty, but he is also — since he is conscious of serving something bigger than himself — unshakeably certain of being in the right.
Now that I have given this lengthy definition, I think it will be admitted that the habit of mind I am talking about is widespread among the English intelligentsia, and more widespread there than among the mass of the people. For those who feel deeply about contemporary politics, certain topics have become so infected by considerations of prestige that a genuinely rational approach to them is almost impossible. Out of the hundreds of examples that one might choose, take this question: Which of the three great allies, the U.S.S.R., Britain and the USA, has contributed most to the defeat of Germany? In theory, it should be possible to give a reasoned and perhaps even a conclusive answer to this question. In practice, however, the necessary calculations cannot be made, because anyone likely to bother his head about such a question would inevitably see it in terms of competitive prestige. He would therefore start by deciding in favour of Russia, Britain or America as the case might be, and only after this would begin searching for arguments that seemed to support his case. And there are whole strings of kindred questions to which you can only get an honest answer from someone who is indifferent to the whole subject involved, and whose opinion on it is probably worthless in any case. Hence, partly, the remarkable failure in our time of political and military prediction. It is curious to reflect that out of al the ‘experts’ of all the schools, there was not a single one who was able to foresee so likely an event as the Russo-German Pact of 1939(2). And when news of the Pact broke, the most wildly divergent explanations were of it were given, and predictions were made which were falsified almost immediately, being based in nearly every case not on a study of probabilities but on a desire to make the U.S.S.R. seem good or bad, strong or weak. Political or military commentators, like astrologers, can survive almost any mistake, because their more devoted followers do not look to them for an appraisal of the facts but for the stimulation of nationalistic loyalties(3). And aesthetic judgements, especially literary judgements, are often corrupted in the same way as political ones. It would be difficult for an Indian Nationalist to enjoy reading Kipling or for a Conservative to see merit in Mayakovsky, and there is always a temptation to claim that any book whose tendency one disagrees with must be a bad book from a literary point of view. People of strongly nationalistic outlook often perform this sleight of hand without being conscious of dishonesty.
In England, if one simply considers the number of people involved, it is probable that the dominant form of nationalism is old-fashioned British jingoism. It is certain that this is still widespread, and much more so than most observers would have believed a dozen years ago. However, in this essay I am concerned chiefly with the reactions of the intelligentsia, among whom jingoism and even patriotism of the old kind are almost dead, though they now seem to be reviving among a minority. Among the intelligentsia, it hardly needs saying that the dominant form of nationalism is Communism — using this word in a very loose sense, to include not merely Communist Party members, but ‘fellow travellers’ and russophiles generally. A Communist, for my purpose here, is one who looks upon the U.S.S.R. as his Fatherland and feels it his duty t justify Russian policy and advance Russian interests at all costs. Obviously such people abound in England today, and their direct and indirect influence is very great. But many other forms of nationalism also flourish, and it is by noticing the points of resemblance between different and even seemingly opposed currents of thought that one can best get the matter into perspective.
Ten or twenty years ago, the form of nationalism most closely corresponding to Communism today was political Catholicism. Its most outstanding exponent — though he was perhaps an extreme case rather than a typical one — was G. K. Chesterton. Chesterton was a writer of considerable talent who whose to suppress both his sensibilities and his intellectual honesty in the cause of Roman Catholic propaganda. During the last twenty years or so of his life, his entire output was in reality an endless repetition of the same thing, under its laboured cleverness as simple and boring as ‘Great is Diana of the Ephesians.’ Every book that he wrote, every scrap of dialogue, had to demonstrate beyond the possibility of mistake the superiority of the Catholic over the Protestant or the pagan. But Chesterton was not content to think of this superiority as merely intellectual or spiritual: it had to be translated into terms of national prestige and military power, which entailed an ignorant idealisation of the Latin countries, especially France. Chesterton had not lived long in France, and his picture of it — as a land of Catholic peasants incessantly singing the Marseillaise over glasses of red wine — had about as much relation to reality as Chu Chin Chow has to everyday life in Baghdad. And with this went not only an enormous overestimation of French military power (both before and after 1914-18 he maintained that France, by itself, was stronger than Germany), but a silly and vulgar glorification of the actual process of war. Chesterton's battle poems, such as Lepanto or The Ballad of Saint Barbara, make The Charge of the Light Brigade read like a pacifist tract: they are perhaps the most tawdry bits of bombast to be found in our language. The interesting thing is that had the romantic rubbish which he habitually wrote about France and the French army been written by somebody else about Britain and the British army, he would have been the first to jeer. In home politics he was a Little Englander, a true hater of jingoism and imperialism, and according to his lights a true friend of democracy. Yet when he looked outwards into the international field, he could forsake his principles without even noticing he was doing so. Thus, his almost mystical belief in the virtues of democracy did not prevent him from admiring Mussolini. Mussolini had destroyed the representative government and the freedom of the press for which Chesterton had struggled so hard at home, but Mussolini was an Italian and had made Italy strong, and that settled the matter. Nor did Chesterton ever find a word to say about imperialism and the conquest of coloured races when they were practised by Italians or Frenchmen. His hold on reality, his literary taste, and even to some extent his moral sense, were dislocated as soon as his nationalistic loyalties were involved.
Obviously there are considerable resemblances between political Catholicism, as exemplified by Chesterton, and Communism. So there are between either of these and for instance Scottish nationalism, Zionism, Antisemitism or Trotskyism. It would be an oversimplification to say that all forms of nationalism are the same, even in their mental atmosphere, but there are certain rules that hold good in all cases. The following are the principal characteristics of nationalist thought:
Obsession. As nearly as possible, no nationalist ever thinks, talks, or writes about anything except the superiority of his own power unit. It is difficult if not impossible for any nationalist to conceal his allegiance. The smallest slur upon his own unit, or any implied praise of a rival organization, fills him with uneasiness which he can relieve only by making some sharp retort. If the chosen unit is an actual country, such as Ireland or India, he will generally claim superiority for it not only in military power and political virtue, but in art, literature, sport, structure of the language, the physical beauty of the inhabitants, and perhaps even in climate, scenery and cooking. He will show great sensitiveness about such things as the correct display of flags, relative size of headlines and the order in which different countries are named(4). Nomenclature plays a very important part in nationalist thought. Countries which have won their independence or gone through a nationalist revolution usually change their names, and any country or other unit round which strong feelings revolve is likely to have several names, each of them carrying a different implication. The two sides of the Spanish Civil War had between them nine or ten names expressing different degrees of love and hatred. Some of these names (e. g. ‘Patriots’ for Franco-supporters, or ‘Loyalists’ for Government-supporters) were frankly question-begging, and there was no single one of the which the two rival factions could have agreed to use. All nationalists consider it a duty to spread their own language to the detriment of rival languages, and among English-speakers this struggle reappears in subtler forms as a struggle between dialects. Anglophobe-Americans will refuse to use a slang phrase if they know it to be of British origin, and the conflict between Latinizers and Germanizers often has nationalists motives behind it. Scottish nationalists insist on the superiority of Lowland Scots, and socialists whose nationalism takes the form of class hatred tirade against the B.B.C. accent and even the often gives the impression of being tinged by belief in symphatetic magic — a belief which probably comes out in the widespread custom of burning political enemies in effigy, or using pictures of them as targets in shooting galleries.

Instability. The intensity with which they are held does not prevent nationalist loyalties from being transferable. To begin with, as I have pointed out already, they can be and often are fastened up on some foreign country. One quite commonly finds that great national leaders, or the founders of nationalist movements, do not even belong to the country they have glorified. Sometimes they are outright foreigners, or more often they come from peripheral areas where nationality is doubtful. Examples are Stalin, Hitler, Napoleon, de Valera, Disraeli, Poincare, Beaverbrook. The Pan-German movement was in part the creation of an Englishman, Houston Chamberlain. For the past fifty or a hundred years, transferred nationalism has been a common phenomenon among literary intellectuals. With Lafcadio Hearne the transference was to Japan, with Carlyle and many others of his time to Germany, and in our own age it is usually to Russia. But the peculiarly interesting fact is that re-transference is also possible. A country or other unit which has been worshipped for years may suddenly become detestable, and some other object of affection may take its place with almost no interval. In the first version of H. G. Wells's Outline of History, and others of his writings about that time, one finds the United States praised almost as extravagantly as Russia is praised by Communists today: yet within a few years this uncritical admiration had turned into hostility. The bigoted Communist who changes in a space of weeks, or even days, into an equally bigoted Trotskyist is a common spectacle. In continental Europe Fascist movements were largely recruited from among Communists, and the opposite process may well happen within the next few years. What remains constant in the nationalist is his state of mind: the object of his feelings is changeable, and may be imaginary.
But for an intellectual, transference has an important function which I have already mentioned shortly in connection with Chesterton. It makes it possible for him to be much more nationalistic — more vulgar, more silly, more malignant, more dishonest — that he could ever be on behalf of his native country, or any unit of which he had real knowledge. When one sees the slavish or boastful rubbish that is written about Stalin, the Red Army, etc. by fairly intelligent and sensitive people, one realises that this is only possible because some kind of dislocation has taken place. In societies such as ours, it is unusual for anyone describable as an intellectual to feel a very deep attachment to his own country. Public opinion — that is, the section of public opinion of which he as an intellectual is aware — will not allow him to do so. Most of the people surrounding him are sceptical and disaffected, and he may adopt the same attitude from imitativeness or sheer cowardice: in that case he will have abandoned the form of nationalism that lies nearest to hand without getting any closer to a genuinely internationalist outlook. He still feels the need for a Fatherland, and it is natural to look for one somewhere abroad. Having found it, he can wallow unrestrainedly in exactly those emotions from which he believes that he has emancipated himself. God, the King, the Empire, the Union Jack — all the overthrown idols can reappear under different names, and because they are not recognised for what they are they can be worshipped with a good conscience. Transferred nationalism, like the use of scapegoats, is a way of attaining salvation without altering one's conduct.
Indifference to Reality. All nationalists have the power of not seeing resemblances between similar sets of facts. A British Tory will defend self-determination in Europe and oppose it in India with no feeling of inconsistency. Actions are held to be good or bad, not on their own merits, but according to who does them, and there is almost no kind of outrage — torture, the use of hostages, forced labour, mass deportations, imprisonment without trial, forgery, assassination, the bombing of civilians — which does not change its moral colour when it is committed by ‘our’ side. The Liberal News Chronicle published, as an example of shocking barbarity, photographs of Russians hanged by the Germans, and then a year or two later published with warm approval almost exactly similar photographs of Germans hanged by the Russians(5). It is the same with historical events. History is thought of largely in nationalist terms, and such things as the Inquisition, the tortures of the Star Chamber, the exploits of the English buccaneers (Sir Francis Drake, for instance, who was given to sinking Spanish prisoners alive), the Reign of Terror, the heroes of the Mutiny blowing hundreds of Indians from the guns, or Cromwell's soldiers slashing Irishwomen's faces with razors, become morally neutral or even meritorious when it is felt that they were done in the ‘right’ cause. If one looks back over the past quarter of a century, one finds that there was hardly a single year when atrocity stories were not being reported from some part of the world; and yet in not one single case were these atrocities — in Spain, Russia, China, Hungary, Mexico, Amritsar, Smyrna — believed in and disapproved of by the English intelligentsia as a whole. Whether such deeds were reprehensible, or even whether they happened, was always decided according to political predilection.
The nationalist not only does not disapprove of atrocities committed by his own side, but he has a remarkable capacity for not even hearing about them. For quite six years the English admirers of Hitler contrived not to learn of the existence of Dachau and Buchenwald. And those who are loudest in denouncing the German concentration camps are often quite unaware, or only very dimly aware, that there are also concentration camps in Russia. Huge events like the Ukraine famine of 1933, involving the deaths of millions of people, have actually escaped the attention of the majority of English russophiles. Many English people have heard almost nothing about the extermination of German and Polish Jews during the present war. Their own antisemitism has caused this vast crime to bounce off their consciousness. In nationalist thought there are facts which are both true and untrue, known and unknown. A known fact may be so unbearable that it is habitually pushed aside and not allowed to enter into logical processes, or on the other hand it may enter into every calculation and yet never be admitted as a fact, even in one's own mind.
Every nationalist is haunted by the belief that the past can be altered. He spends part of his time in a fantasy world in which things happen as they should — in which, for example, the Spanish Armada was a success or the Russian Revolution was crushed in 1918 — and he will transfer fragments of this world to the history books whenever possible. Much of the propagandist writing of our time amounts to plain forgery. Material facts are suppressed, dates altered, quotations removed from their context and doctored so as to change their meaning. Events which it is felt ought not to have happened are left unmentioned and ultimately denied(6). In 1927 Chiang Kai Shek boiled hundreds of Communists alive, and yet within ten years he had become one of the heroes of the Left. The re-alignment of world politics had brought him into the anti-Fascist camp, and so it was felt that the boiling of the Communists ‘didn't count’, or perhaps had not happened. The primary aim of propaganda is, of course, to influence contemporary opinion, but those who rewrite history do probably believe with part of their minds that they are actually thrusting facts into the past. When one considers the elaborate forgeries that have been committed in order to show that Trotsky did not play a valuable part in the Russian civil war, it is difficult to feel that the people responsible are merely lying. More probably they feel that their own version was what happened in the sight of God, and that one is justified in rearranging the records accordingly.
Indifference to objective truth is encouraged by the sealing-off of one part of the world from another, which makes it harder and harder to discover what is actually happening. There can often be a genuine doubt about the most enormous events. For example, it is impossible to calculate within millions, perhaps even tens of millions, the number of deaths caused by the present war. The calamities that are constantly being reported — battles, massacres, famines, revolutions — tend to inspire in the average person a feeling of unreality. One has no way of verifying the facts, one is not even fully certain that they have happened, and one is always presented with totally different interpretations from different sources. What were the rights and wrongs of the Warsaw rising of August 1944? Is it true about the German gas ovens in Poland? Who was really to blame for the Bengal famine? Probably the truth is discoverable, but the facts will be so dishonestly set forth in almost any newspaper that the ordinary reader can be forgiven either for swallowing lies or failing to form an opinion. The general uncertainty as to what is really happening makes it easier to cling to lunatic beliefs. Since nothing is ever quite proved or disproved, the most unmistakable fact can be impudently denied. Moreover, although endlessly brooding on power, victory, defeat, revenge, the nationalist is often somewhat uninterested in what happens in the real world. What he wants is to feel that his own unit is getting the better of some other unit, and he can more easily do this by scoring off an adversary than by examining the facts to see whether they support him. All nationalist controversy is at the debating-society level. It is always entirely inconclusive, since each contestant invariably believes himself to have won the victory. Some nationalists are not far from schizophrenia, living quite happily amid dreams of power and conquest which have no connection with the physical world.

I have examined as best as I can the mental habits which are common to all forms of nationalism. The next thing is to classify those forms, but obviously this cannot be done comprehensively. Nationalism is an enormous subject. The world is tormented by innumerable delusions and hatreds which cut across one another in an extremely complex way, and some of the most sinister of them have not yet impinged on the European consciousness. In this essay I am concerned with nationalism as it occurs among the English intelligentsia. In them, much more than in ordinary English people, it is unmixed with patriotism and therefore can be studied pure. Below are listed the varieties of nationalism now flourishing among English intellectuals, with such comments as seem to be needed. It is convenient to use three headings, Positive, Transferred, and Negative, though some varieties will fit into more than one category:
Positive Nationalism

(i) Neo-toryism. Exemplified by such people as Lord Elton, A. P. Herbert, G. M. Young, Professor Pickthorn, by the literature of the Tory Reform Committee, and by such magazines as the New English Review and the Nineteenth Century and After. The real motive force of neo-Toryism, giving it its nationalistic character and differentiating it from ordinary Conservatism, is the desire not to recognise that British power and influence have declined. Even those who are realistic enough to see that Britain's military position is not what it was, tend to claim that ‘English ideas’ (usually left undefined) must dominate the world. All neo-Tories are anti-Russian, but sometimes the main emphasis is anti-American. The significant thing is that this school of thought seems to be gaining ground among youngish intellectuals, sometimes ex-Communists, who have passed through the usual process of disillusionment and become disillusioned with that. The anglophobe who suddenly becomes violently pro-British is a fairly common figure. Writers who illustrate this tendency are F. A. Voigt, Malcolm Muggeridge, Evelyn Waugh, Hugh Kingsmill, and a psychologically similar development can be observed in T. S. Eliot, Wyndham Lewis, and various of their followers.

(ii) Celtic Nationalism. Welsh, Irish and Scottish nationalism have points of difference but are alike in their anti-English orientation. Members of all three movements have opposed the war while continuing to describe themselves as pro-Russian, and the lunatic fringe has even contrived to be simultaneously pro-Russian and pro-Nazi. But Celtic nationalism is not the same thing as anglophobia. Its motive force is a belief in the past and future greatness of the Celtic peoples, and it has a strong tinge of racialism. The Celt is supposed to be spiritually superior to the Saxon — simpler, more creative, less vulgar, less snobbish, etc. — but the usual power hunger is there under the surface. One symptom of it is the delusion that Eire, Scotland or even Wales could preserve its independence unaided and owes nothing to British protection. Among writers, good examples of this school of thought are Hugh McDiarmid and Sean O'Casey. No modern Irish writer, even of the stature of Yeats or Joyce, is completely free from traces of nationalism.

(iii) Zionism. This the unusual characteristics of a nationalist movement, but the American variant of it seems to be more violent and malignant than the British. I classify it under Direct and not Transferred nationalism because it flourishes almost exclusively among the Jews themselves. In England, for several rather incongruous reasons, the intelligentsia are mostly pro-Jew on the Palestine issue, but they do not feel strongly about it. All English people of goodwill are also pro-Jew in the sense of disapproving of Nazi persecution. But any actual nationalistic loyalty, or belief in the innate superiority of Jews, is hardly to be found among Gentiles.

Transferred Nationalism

(i) Communism.

(ii) Political Catholicism.

(iii) Colour Feeling. The old-style contemptuous attitude towards ‘natives’ has been much weakened in England, and various pseudo-scientific theories emphasising the superiority of the white race have been abandoned(7). Among the intelligentsia, colour feeling only occurs in the transposed form, that is, as a belief in the innate superiority of the coloured races. This is now increasingly common among English intellectuals, probably resulting more often from masochism and sexual frustration than from contact with the Oriental and Negro nationalist movements. Even among those who do not feel strongly on the colour question, snobbery and imitation have a powerful influence. Almost any English intellectual would be scandalised by the claim that the white races are superior to the coloured, whereas the opposite claim would seem to him unexceptionable even if he disagreed with it. Nationalistic attachment to the coloured races is usually mixed up with the belief that their sex lives are superior, and there is a large underground mythology about the sexual prowess of Negroes.

(iv) Class Feeling. Among upper-class and middle-class intellectuals, only in the transposed form — i. e. as a belief in the superiority of the proletariat. Here again, inside the intelligentsia, the pressure of public opinion is overwhelming. Nationalistic loyalty towards the proletariat, and most vicious theoretical hatred of the bourgeoisie, can and often do co-exist with ordinary snobbishness in everyday life.

(v) Pacifism. The majority of pacifists either belong to obscure religious sects or are simply humanitarians who object to the taking of life and prefer not to follow their thoughts beyond that point. But there is a minority of intellectual pacifists whose real though unadmitted motive appears to be hatred of western democracy and admiration of totalitarianism. Pacifist propaganda usually boils down to saying that one side is as bad as the other, but if one looks closely at the writings of younger intellectual pacifists, one finds that they do not by any means express impartial disapproval but are directed almost entirely against Britain and the United States. Moreover they do not as a rule condemn violence as such, but only violence used in defence of western countries. The Russians, unlike the British, are not blamed for defending themselves by warlike means, and indeed all pacifist propaganda of this type avoids mention of Russia or China. It is not claimed, again, that the Indians should abjure violence in their struggle against the British. Pacifist literature abounds with equivocal remarks which, if they mean anything, appear to mean that statesmen of the type of Hitler are preferable to those of the type of Churchill, and that violence is perhaps excusable if it is violent enough. After the fall of France, the French pacifists, faced by a real choice which their English colleagues have not had to make, mostly went over to the Nazis, and in England there appears to have been some small overlap of membership between the Peace Pledge Union and the Blackshirts. Pacifist writers have written in praise of Carlyle, one of the intellectual fathers of Fascism. All in all it is difficult not to feel that pacifism, as it appears among a section of the intelligentsia, is secretly inspired by an admiration for power and successful cruelty. The mistake was made of pinning this emotion to Hitler, but it could easily be retransfered.

Negative Nationalism

(i) Anglophobia. Within the intelligentsia, a derisive and mildly hostile attitude towards Britain is more or less compulsory, but it is an unfaked emotion in many cases. During the war it was manifested in the defeatism of the intelligentsia, which persisted long after it had become clear that the Axis powers could not win. Many people were undisguisedly pleased when Singapore fell ore when the British were driven out of Greece, and there was a remarkable unwillingness to believe in good news, e.g. el Alamein, or the number of German planes shot down in the Battle of Britain. English left-wing intellectuals did not, of course, actually want the Germans or Japanese to win the war, but many of them could not help getting a certain kick out of seeing their own country humiliated, and wanted to feel that the final victory would be due to Russia, or perhaps America, and not to Britain. In foreign politics many intellectuals follow the principle that any faction backed by Britain must be in the wrong. As a result, ‘enlightened’ opinion is quite largely a mirror-image of Conservative policy. Anglophobia is always liable to reversal, hence that fairly common spectacle, the pacifist of one war who is a bellicist in the next.

(ii) Anti-Semitism. There is little evidence about this at present, because the Nazi persecutions have made it necessary for any thinking person to side with the Jews against their oppressors. Anyone educated enough to have heard the word ‘antisemitism’ claims as a matter of course to be free of it, and anti-Jewish remarks are carefully eliminated from all classes of literature. Actually antisemitism appears to be widespread, even among intellectuals, and the general conspiracy of silence probably helps exacerbate it. People of Left opinions are not immune to it, and their attitude is sometimes affected by the fact that Trotskyists and Anarchists tend to be Jews. But antisemitism comes more naturally to people of Conservative tendency, who suspect Jews of weakening national morale and diluting the national culture. Neo-Tories and political Catholics are always liable to succumb to antisemitism, at least intermittently.

(iii) Trotskyism. This word is used so loosely as to include Anarchists, democratic Socialists and even Liberals. I use it here to mean a doctrinaire Marxist whose main motive is hostility to the Stalin regime. Trotskyism can be better studied in obscure pamphlets or in papers like the Socialist Appeal than in the works of Trotsky himself, who was by no means a man of one idea. Although in some places, for instance in the United States, Trotskyism is able to attract a fairly large number of adherents and develop into an organised movement with a petty fuerher of its own, its inspiration is essentially negative. The Trotskyist is against Stalin just as the Communist is for him, and, like the majority of Communists, he wants not so much to alter the external world as to feel that the battle for prestige is going in his own favour. In each case there is the same obsessive fixation on a single subject, the same inability to form a genuinely rational opinion based on probabilities. The fact that Trotskyists are everywhere a persecuted minority, and that the accusation usually made against them, i. e. of collaborating with the Fascists, is obviously false, creates an impression that Trotskyism is intellectually and morally superior to Communism; but it is doubtful whether there is much difference. The most typical Trotskyists, in any case, are ex-Communists, and no one arrives at Trotskyism except via one of the left-wing movements. No Communist, unless tethered to his party by years of habit, is secure against a sudden lapse into Trotskyism. The opposite process does not seem to happen equally often, though there is no clear reason why it should not.


In the classification I have attempted above, it will seem that I have often exaggerated, oversimplified, made unwarranted assumptions and have left out of account the existence of ordinarily decent motives. This was inevitable, because in this essay I am trying to isolate and identify tendencies which exist in all our minds and pervert our thinking, without necessarily occurring in a pure state or operating continuously. It is important at this point to correct the over-simplified picture which I have been obliged to make. To begin with, one has no right to assume that everyone, or even every intellectual, is infected by nationalism. Secondly, nationalism can be intermittent and limited. An intelligent man may half-succumb to a belief which he knows to be absurd, and he may keep it out of his mind for long periods, only reverting to it in moments of anger or sentimentality, or when he is certain that no important issues are involved. Thirdly, a nationalistic creed may be adopted in good faith from non-nationalistic motives. Fourthly, several kinds of nationalism, even kinds that cancel out, can co-exist in the same person.
All the way through I have said, ‘the nationalist does this’ or ‘the nationalist does that’, using for purposes of illustration the extreme, barely sane type of nationalist who has no neutral areas in his mind and no interest in anything except the struggle for power. Actually such people are fairly common, but they are not worth the powder and shot. In real life Lord Elton, D. N. Pritt, Lady Houston, Ezra Pound, Lord Vanisttart, Father Coughlin and all the rest of their dreary tribe have to be fought against, but their intellectual deficiencies hardly need pointing out. Monomania is not interesting, and the fact that no nationalist of the more bigoted kind can write a book which still seems worth reading after a lapse of years has a certain deodorising effect. But when one has admitted that nationalism has not triumphed everywhere, that there are still peoples whose judgements are not at the mercy of their desires, the fact does remain that the pressing problems — India, Poland, Palestine, the Spanish civil war, the Moscow trials, the American Negroes, the Russo-German Pact or what have you — cannot be, or at least never are, discussed upon a reasonable level. The Eltons and Pritts and Coughlins, each of them simply an enormous mouth bellowing the same lie over and over again, are obviously extreme cases, but we deceive ourselves if we do not realise that we can all resemble them in unguarded moments. Let a certain note be struck, let this or that corn be trodden on — and it may be corn whose very existence has been unsuspected hitherto — and the most fair-minded and sweet-tempered person may suddenly be transformed into a vicious partisan, anxious only to ‘score’ over his adversary and indifferent as to how many lies he tells or how many logical errors he commits in doing so. When Lloyd George, who was an opponent of the Boer War, announced in the House of Commons that the British communiques, if one added them together, claimed the killing of more Boers than the whole Boer nation contained, it is recorded that Arthur Balfour rose to his feet and shouted ‘Cad!’ Very few people are proof against lapses of this type. The Negro snubbed by a white woman, the Englishman who hears England ignorantly criticised by an American, the Catholic apologist reminded of the Spanish Armada, will all react in much the same way. One prod to the nerve of nationalism, and the intellectual decencies can vanish, the past can be altered, and the plainest facts can be denied.
If one harbours anywhere in one's mind a nationalistic loyalty or hatred, certain facts, although in a sense known to be true, are inadmissible. Here are just a few examples. I list below five types of nationalist, and against each I append a fact which it is impossible for that type of nationalist to accept, even in his secret thoughts:
BRITISH TORY: Britain will come out of this war with reduced power and prestige.
COMMUNIST: If she had not been aided by Britain and America, Russia would have been defeated by Germany.
IRISH NATIONALIST: Eire can only remain independent because of British protection.
TROTSKYIST: The Stalin regime is accepted by the Russian masses.
PACIFIST: Those who ‘abjure’ violence can only do so because others are committing violence on their behalf.
All of these facts are grossly obvious if one's emotions do not happen to be involved: but to the kind of person named in each case they are also intolerable, and so they have to be denied, and false theories constructed upon their denial. I come back to the astonishing failure of military prediction in the present war. It is, I think, true to say that the intelligentsia have been more wrong about the progress of the war than the common people, and that they were more swayed by partisan feelings. The average intellectual of the Left believed, for instance, that the war was lost in 1940, that the Germans were bound to overrun Egypt in 1942, that the Japanese would never be driven out of the lands they had conquered, and that the Anglo-American bombing offensive was making no impression on Germany. He could believe these things because his hatred for the British ruling class forbade him to admit that British plans could succeed. There is no limit to the follies that can be swallowed if one is under the influence of feelings of this kind. I have heard it confidently stated, for instance, that the American troops had been brought to Europe not to fight the Germans but to crush an English revolution. One has to belong to the intelligentsia to believe things like that: no ordinary man could be such a fool. When Hitler invaded Russia, the officials of the MOI issued ‘as background’ a warning that Russia might be expected to collapse in six weeks. On the other hand the Communists regarded every phase of the war as a Russian victory, even when the Russians were driven back almost to the Caspian Sea and had lost several million prisoners. There is no need to multiply instances. The point is that as soon as fear, hatred, jealousy and power worship are involved, the sense of reality becomes unhinged. And, as I have pointed out already, the sense of right and wrong becomes unhinged also. There is no crime, absolutely none, that cannot be condoned when ‘our’ side commits it. Even if one does not deny that the crime has happened, even if one knows that it is exactly the same crime as one has condemned in some other case, even if one admits in an intellectual sense that it is unjustified — still one cannot feel that it is wrong. Loyalty is involved, and so pity ceases to function.
The reason for the rise and spread of nationalism is far too big a question to be raised here. It is enough to say that, in the forms in which it appears among English intellectuals, it is a distorted reflection of the frightful battles actually happening in the external world, and that its worst follies have been made possible by the breakdown of patriotism and religious belief. If one follows up this train of thought, one is in danger of being led into a species of Conservatism, or into political quietism. It can be plausibly argued, for instance — it is even possibly true — that patriotism is an inoculation against nationalism, that monarchy is a guard against dictatorship, and that organised religion is a guard against superstition. Or again, it can be argued that no unbiased outlook is possible, that all creeds and causes involve the same lies, follies, and barbarities; and this is often advanced as a reason for keeping out of politics altogether. I do not accept this argument, if only because in the modern world no one describable as an intellectual can keep out of politics in the sense of not caring about them. I think one must engage in politics — using the word in a wide sense — and that one must have preferences: that is, one must recognise that some causes are objectively better than others, even if they are advanced by equally bad means. As for the nationalistic loves and hatreds that I have spoken of, they are part of the make-up of most of us, whether we like it or not. Whether it is possible to get rid of them I do not know, but I do believe that it is possible to struggle against them, and that this is essentially a moral effort. It is a question first of all of discovering what one really is, what one's own feelings really are, and then of making allowance for the inevitable bias. If you hate and fear Russia, if you are jealous of the wealth and power of America, if you despise Jews, if you have a sentiment of inferiority towards the British ruling class, you cannot get rid of those feelings simply by taking thought. But you can at least recognise that you have them, and prevent them from contaminating your mental processes. The emotional urges which are inescapable, and are perhaps even necessary to political action, should be able to exist side by side with an acceptance of reality. But this, I repeat, needs a moral effort, and contemporary English literature, so far as it is alive at all to the major issues of our time, shows how few of us are prepared to make it.
1945

Notes
1) Nations, and even vaguer entities such as Catholic Church or the proleteriat, are commonly thought of as individuals and often referred to as ‘she’. Patently absurd remarks such as ‘Germany is naturally treacherous’ are to be found in any newspaper one opens and reckless generalization about national character (‘The Spaniard is a natural aristocrat’ or ‘Every Englishman is a hypocrite’) are uttered by almost everyone. Intermittently these generalizations are seen to be unfounded, but the habit of making them persists, and people of professedly international outlook, e.g., Tolstoy or Bernard Shaw, are often guilty of them.
2) A few writers of conservative tendency, such as Peter Drucker, foretold an agreement between Germany and Russia, but they expected an actual alliance or amalgamation which would be permanent. No Marxist or other left-wing writer, of whatever colour, came anywhere near foretelling the Pact.
3) The military commentators of the popular press can mostly be classified as pro-Russian or anti-Russian pro-blimp or anti-blimp. Such errors as believing the Mrginot Line impregnable, or predicting that Russia would conquer Germany in three months, have failed to shake their reputation, because they were always saying what their own particular audience wanted to hear. The two military critics most favoured by the intelligentsia are Captain Liddell Hart and Major-General Fuller, the first of whom teaches that the defence is stronger that the attack, and the second that the attack is stronger that the defence. This contradiction has not prevented both of them from being accepted as authorities by the some public. The secret reason for their vogue in left-wing circles is that both of them are at odds with the War Office.
4) Certain Americans have expressed dissatisfaction because ‘Anglo-American’ is the form of combination for these two words. It has been proposed to submit ‘Americo-British’.
5) The News Chronicle advised its readers to visit the news film at which the entire execution could be witnessed, with close-ups. The Star published with seeming approval photographs of nearly naked female collaborationists being baited by the Paris mob. These photographs had a marked resemblance to the Nazi photographs of Jews being baited by the Berlin mob.
6) En example is the Russo-German Pact, which is being effaced as quickly as possible from public memory. A Russian correspondent informs me that mention of the Pact is already being omitted from Russian year-books which table recent political events.
7) A good example is the sunstroke superstition. Until recently it was believed that the white races were much more liable to sunstroke that the coloured, and that a white man could not safely walk about in tropical sunshine without a pith helmet. There was no evidence whatever for this theory, but it served the purpose of accentuating the difference between ‘natives’ and Europeans. During the war the theory was quietly dropped and whole armies maneuvered in the tropics without pith helmets. So long as the sunstroke superstition survived, English doctors in India appear to have believed in it as firmly as laymen. [back]
THE END

Walter Van Tilburg Clark - The Portable Phonograph

The red sunset, with narrow, black cloud strips like threats across it, lay on the curved horizon of the prairie. The air was still and cold, and in it settled the mute darkness and greater cold of night. High in the air there was wind, for through the veil of the dusk the clouds could be seen gliding rapidly south and changing shapes. A sensation of torment, of two-sided, unpredictable nature, arose from the stillness of the earth air beneath the violence of the upper air. Out of the sunset, through the dead, matted grass and isolated weed stalks of the prairie, crept the narrow deeply rutted remains of a road. 

In the road, in places, there were crusts of shallow brittle ice. There were little islands of an old oiled pavement in the road too, but most of it was mud, now frozen rigid. The frozen mud still bore the toothed impress of great tanks, and a wanderer on the neighboring undulations might have stumbled, in this light, into large, partially filled-in and weedgrown cavities, their banks channeled and beginning to spread into badlands. These pits were such as might have been made by falling meteors, but they were not. They were the scars of gigantic bombs, their rawness already made a little natural by rain, seed and time. Along the road there were rakish remnants of fence. There was also, just visible, one portion of tangled and multiple barbed wire still erect, behind which was a shelving ditch with small caves, now very quiet and empty, at intervals in its back wall. Otherwise there was no structure or remnant of a structure visible over the dome of the darkling earth, but only, in sheltered hollows, the darker shadows of young trees trying again. 

Under the wuthering arch of the high wind a V of wild geese fled south. The rush of their pinions sounded briefly, and the faint, plaintive notes of their expeditionary talk. Then they left a still greater vacancy. There was the smell and expectation of snow, as there is likely to be when the wild geese fly south. From the remote distance, toward the red sky, came faintly the protracted howl and quick yap-yap of prairie wolf. 

North of the road, perhaps a hundred yards, lay the parallel and deeply intrenched course of a small creek, lined with leafless alders and willows. The creek was already silent under ice. Into the bank above it was dug a sort of cell, with a single opening, like the mouth of a mine tunnel. Within the cell there was a little red of fire, which showed dully through the opening, like a reflection or a deception of the imagination. The light came from the chary burning of four blocks of poorly aged peat, which gave off a petty warmth and much acrid smoke. But the precious remnants of wood, old fence posts and timbers from the longdeserted dugouts, had to be saved for the real cold, for the time when a man’s breath blew white, the moisture in his nostrils stiffened at once when he stepped out, and the expensive blizzards paraded for days over the vast open, swirling and settling and thickening, till the dawn of the cleared day when the sky was a thin blue-green and the terrible cold, in which a man could not live for three hours unwarmed, lay over the uniformly drifted swell of the plain.

Around the smoldering peat four men were seated cross-legged. Behind them, traversed by their shadows, was the earth bench, with two old and dirty army blankets, where the owner of the cell slept. In a niche in the opposite wall were a few tin utensils which caught the glint of the coals. The host was rewrapping in a piece of daubed burlap, four fine, leatherbound books. He worked slowly and very carefully, and at last tied the bundle securely with a piece of grass-woven cord. The other three looked intently upon the process, as if a great significance lay in it. As the host tied the cord, he spoke. He was an old man, his long, matted beard and hair gray to nearly white. The shadows made his brows and cheekbones appear gnarled, his eyes and cheeks deeply sunken. His big hands, rough with frost and swollen by rheumatism, were awkward but gentle at their task. He was like a prehistoric priest performing a fateful ceremonial rite. Also his voice had in it a suitable quality of deep, reverent despair, yet perhaps, at the moment, a sharpness of selfish satisfaction.

“When I perceived what was happening,” he said, “I told myself,” “It is the end. I cannot take much; I will take this.”

“Perhaps I was impractical,” he continued. “But for myself, I do not regret, and what do we know of those who will come after us? We are the doddering remnant of a race of mechanical fools. I have saved what I love; the soul of what was good in us here; perhaps the new ones will make a strong enough beginning not to fall behind when they become clever.”

He rose with slow pain and placed the wrapped volumes in the niche with his utensils. The others watched him with the same ritualistic gaze.

“Shakespeare, the Bible, Moby Dick, The Divine Comedy, “one of them said softly. ”You might have done worse.”

“You will have a little soul left until you die,” said another harshly. “That is more than is true of us. My brain becomes thick, like my hands.” He held the big, battered hands, with their black nails, in the glow to be seen.

“I want paper to write on,” he said. “And there is none.”

The fourth man said nothing. He sat in the shadow farthest from the fire, and sometimes his body jerked in its rags from the cold. Although he was still young, he was sick, and coughed often. Writing implied a greater future than he now felt able to consider.

The old man seated himself laboriously, and reached out, groaning at the movement, to put another block of peat on the fire. With bowed heads and averted eyes, his three guests acknowledged hid magnanimity.

“We thank you, Dr. Jenkins, for the reading,” said the man who had named the books.

They seemed then to be waiting for something. Dr. Jenkins understood, but was loath to comply. In an ordinary moment he would have said nothing. But the words of The Tempest, which he had been reading, and the religious attention of the three, made this an unusual occasion.

“You wish to hear the phonograph,” he said grudgingly.

The two middle-aged men stared into the fire, unable to formulate and expose the enormity of their desire.

The young man, however, said anxiously, between suppressed coughs, “Oh, please,” like an excited child.

The old man rose again in his difficult way, and went to the back of the cell. He returned and placed tenderly upon the packed floor, where the firelight might fall upon it, an old, portable, phonograph in a black case. He smoothed the top with his hand, and then opened it. The lovely green-felt-covered disk became visible.

“I have been using thorns as needles,” he said. “But tonight, because we have a musician among us” - he bent his head to the young man, almost invisible in the shadow - “I will use a steel needle. There are only three left.”

The two middle-aged men stared at him in speechless adoration. The one with the big hands, who wanted to write, moved his lips, but the whisper was not audible.

“Oh, don’t,” cried the young man, as if he were hurt. “The thorns will do beautifully.”

“No,” the old man said. “I have become accustomed to the thorns, but they are not really good. For you, my young friend, we will have good music tonight.”

“After all,” he added generously, and beginning to wind the phonograph, which creaked, “they can’t last forever.”

“No, nor we,” the man who needed to write said harshly. “The needle, by all means.” “Oh, thanks,” said the young man. “Thanks,” he said again, in a low, excited voice, and then stifled his coughing with a bowed head.

“The records, though,” said the old man when he had finished winding,“ are a different matter. Already they are very worn. I do not play them more than once a week. One, once a week, that is what I allow myself.”

“More than a week I cannot stand it; not to hear them,” he apologized.

“No, how could you?” cried the young man. “And with them here like this.”

“A man can stand anything,” said the man who wanted to write, in his harsh, antagonistic voice.

“Please, the music,” said the young man.

“Only the one,” said the old man. “In the long run we will remember more that way.”

He had a dozen records with luxuriant gold and red seals. Even in that light the others could see that the threads of the records were becoming worn. Slowly he read out the titles, and the tremendous, dead names of the composers and the artists and the orchestras.

The three worked upon the names in their minds, carefully. It was difficult to select from such a wealth what they would at once most like to remember. Finally the man who wanted to write named Gershwin’s “New York”.

“Oh, no,” cried the sick young man, and then could say nothing more because he had to cough. The others understood him, and the harsh man withdrew his selection and waited for the musicians to choose.

The musician begged Doctor Jenkins to read the titles again, very slowly, so that he could remember the sounds. While they were read, he lay back against the wall, his eyes closed, his thin, horny hand pulling at his light beard, and listened to the voices and the orchestras and the single instruments in his mind.

When the reading was done he spoke despairingly. “I have forgotten,” he complained. “I cannot hear them clearly.”

“There are other things missing”, he explained.

“I know,” said Doctor Jenkins. “I thought that I knew all of Shelley by heart. I should have brought Shelley.”

“That’s more soul than we can use”, said the harsh man. “Moby Dick is better.”

“By God, we can understand that,” he emphasized.

The doctor nodded.

“Still,” said the man who had admired the books, “we need the absolute if we are to keep a grasp on anything.”

“Anything but these sticks and peat clods and rabbit snares,” he said bitterly.

“Shelley desired an ultimate absolute,” said the harsh man. “It’s too much,” he said. “It’s no good; no earthly good.”

The musician selected a Debussy nocturne. The others considered and approved.

They rose to their knees to watch the doctor prepare for the playing, so that they appeared to be actually in an attitude of worship. The peat glow showed the thinness of their bearded faces, and the deep lines in them, and revealed the conditions of their garments. The other two continued to kneel as the old man carefully lowered the needle onto the spinning disk, but the musician suddenly drew back against the wall again, with his knees up, and buried his face in his hands.

At the first note of the piano the listeners were startled. They stared at each other.

Even the musician lifted his head in amazement, but then quickly bowed it again strainingly, as if he were suffering from a pain he might not be able to endure. They were all listening deeply, without movement. The wet, blue-green notes tinkled forth from the old machine, and were individual, delectable presences in the cell. The individual, delectable presences swept into a sudden tide of unbearably beautiful dissonance, and then continued fully the swelling and ebbing of that tide, the dissonant inpourings, and the resolutions, and the diminishments, and the little, quiet wavelets of interlude lapping between. Every sound was piercing and singularly sweet. In all the men except the musician, there occurred rapid sequences of tragically heightened recollections. He heard nothing but what was there. At the final, whispering disappearance, but moving quietly, so that the others would not hear him and look at him, he let his head fall back in agony, as if it were drawn there by the hair, and clenched the fingers of one hand over his teeth. He sat that way while the others were silent, and until they began to breathe again normally. His drawn-up legs were trembling violently.

Quickly Doctor Jenkins lifted the needle off, to save it, and not to spoil the recollection with scraping. When he had stopped the whirling of the sacred disk, he courteously left the phonograph open and by the fire, in sight.

The others, however, understood. The musician rose last, but then abruptly, and went quickly out at the door without saying anything. The others stopped at the door and gave their thanks in low voices. The doctor nodded magnificently.

“Come again,” he invited “in a week. We will have the “New York”.

When the two had gone together, out toward the rimed road, he stood in the entrance, peering and listening. At first there was only the resonant boom of the wind overhead, and then, far over the dome of the dead, dark plain, the wolf cry lamenting. In the rifts of clouds the doctor saw four stars flying. It impressed the doctor that one of them had just been obscured by the beginning of a flying cloud at the very moment he heard what he had been listening for, a sound of suppressed coughing. It was not near by, however.

He believed that down against the pale alders he could see the moving shadow.

With nervous hands he lowered the piece of canvas which served as his door, and pegged it at the bottom. Then quickly and quietly, looking at the piece of canvas frequently, he slipped the records into the case, snapped the lid shut, and carried the phonograph to his couch. There, pausing often to stare at the canvas and listen, he dug earth from the wall and disclosed a piece of board. Behind this there was a deep hole in the wall, into which he put the phonograph. After a moment’s consideration, he went over and reached down his bundle of books and inserted it also. Then, guardedly, he once more sealed up the hole with the board and the earth. He also changed his blankets, and the grass-stuffed sack which served as a pillow, so that he could lie facing the entrance. After carefully placing two more blocks of peat on the fire, he stood for a long time watching the stretched canvas, but it seemed to billow naturally with the first gusts of a lowering wind. At last he prayed, and got in under his blankets, and closed his smoke-smarting eyes. On the inside of the bed, next the wall, he could feel with his hand, the comfortable piece of lead pipe.

Friday, April 20, 2018

Harry 'Breaker' Morant - At Last

When I am tired, and old and worn,
   And harass'd by regret;
When blame, reproach, and worldlings' scorn
   On every side are met;
When I have lived long years in vain
   And found Life's garlands rue,
Maybe I'll come back again -
   At last - at last - to you!

When all the joys and all the zest
   Of youthful years have fled,
Maybe that I shall leave the rest
   And turn to you instead;
For you, Dear Heart, would never spurn
   (With condemnation due!)
If, at the close of all, I turn
   Homeward - at last - to you! 

When other faces turn away,
   And lighter loves have passed;
When life is weary, cold, and gray -
   I may come back - at last!
When cares, remorse, regrets are rife -
   Too late to live anew -
In the sad twilight of my life
   I will come back - to you!

First published in The Bulletin, 5 April 1902.

Lord Byron - When a Man Hath No Freedom

When a man hath no freedom to fight for at home,
Let him combat for that of his neighbors;
Let him think of the glories of Greece and Rome,
And get knocked on his head for his labors.

To do good to mankind is the chivalrous plan,
And is always nobly requited;
Then battle for freedom wherever you can,
And, if not shot or hanged, you’ll get knighted.

Friday, March 23, 2018

Langston Hughes - The Negro Speaks of Rivers

I’ve known rivers:
I’ve known rivers ancient as the world and older than the
flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I’ve seen its muddy
bosom turn all golden in the sunset.

I’ve known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

Wednesday, October 26, 2016

T. S. Eliot - The Waste Land


  "Nam Sibyllam quidem Cumis ego ipse oculis meis
  vidi in ampulla pendere, et cum illi pueri dicerent:
  Σίβυλλα τί θέλεις; respondebat illa: ἀποθανεῖν θέλω."

  For Ezra Pound
  il miglior fabbro







I. THE BURIAL OF THE DEAD

  April is the cruellest month, breeding
  Lilacs out of the dead land, mixing
  Memory and desire, stirring
  Dull roots with spring rain.
  Winter kept us warm, covering
  Earth in forgetful snow, feeding
  A little life with dried tubers.
  Summer surprised us, coming over the Starnbergersee
  With a shower of rain; we stopped in the colonnade,
  And went on in sunlight, into the Hofgarten,                            10
  And drank coffee, and talked for an hour.
  Bin gar keine Russin, stamm' aus Litauen, echt deutsch.
  And when we were children, staying at the archduke's,
  My cousin's, he took me out on a sled,
  And I was frightened. He said, Marie,
  Marie, hold on tight. And down we went.
  In the mountains, there you feel free.
  I read, much of the night, and go south in the winter.

  What are the roots that clutch, what branches grow
  Out of this stony rubbish? Son of man,                                  20
  You cannot say, or guess, for you know only
  A heap of broken images, where the sun beats,
  And the dead tree gives no shelter, the cricket no relief,
  And the dry stone no sound of water. Only
  There is shadow under this red rock,
  (Come in under the shadow of this red rock),
  And I will show you something different from either
  Your shadow at morning striding behind you
  Or your shadow at evening rising to meet you;
  I will show you fear in a handful of dust.                              30
       Frisch weht der Wind
       Der Heimat zu
       Mein Irisch Kind,
       Wo weilest du?
  "You gave me hyacinths first a year ago;
  "They called me the hyacinth girl."
  —Yet when we came back, late, from the Hyacinth garden,
  Your arms full, and your hair wet, I could not
  Speak, and my eyes failed, I was neither
  Living nor dead, and I knew nothing,                                    40
  Looking into the heart of light, the silence.
  Oed' und leer das Meer.

  Madame Sosostris, famous clairvoyante,
  Had a bad cold, nevertheless
  Is known to be the wisest woman in Europe,
  With a wicked pack of cards. Here, said she,
  Is your card, the drowned Phoenician Sailor,
  (Those are pearls that were his eyes. Look!)
  Here is Belladonna, the Lady of the Rocks,
  The lady of situations.                                                 50
  Here is the man with three staves, and here the Wheel,
  And here is the one-eyed merchant, and this card,
  Which is blank, is something he carries on his back,
  Which I am forbidden to see. I do not find
  The Hanged Man. Fear death by water.
  I see crowds of people, walking round in a ring.
  Thank you. If you see dear Mrs. Equitone,
  Tell her I bring the horoscope myself:
  One must be so careful these days.

  Unreal City,                                                            60
  Under the brown fog of a winter dawn,
  A crowd flowed over London Bridge, so many,
  I had not thought death had undone so many.
  Sighs, short and infrequent, were exhaled,
  And each man fixed his eyes before his feet.
  Flowed up the hill and down King William Street,
  To where Saint Mary Woolnoth kept the hours
  With a dead sound on the final stroke of nine.
  There I saw one I knew, and stopped him, crying "Stetson!
  "You who were with me in the ships at Mylae!                            70
  "That corpse you planted last year in your garden,
  "Has it begun to sprout? Will it bloom this year?
  "Or has the sudden frost disturbed its bed?
  "Oh keep the Dog far hence, that's friend to men,
  "Or with his nails he'll dig it up again!
  "You! hypocrite lecteur!—mon semblable,—mon frère!"







II. A GAME OF CHESS

  The Chair she sat in, like a burnished throne,
  Glowed on the marble, where the glass
  Held up by standards wrought with fruited vines
  From which a golden Cupidon peeped out                                  80
  (Another hid his eyes behind his wing)
  Doubled the flames of sevenbranched candelabra
  Reflecting light upon the table as
  The glitter of her jewels rose to meet it,
  From satin cases poured in rich profusion.
  In vials of ivory and coloured glass
  Unstoppered, lurked her strange synthetic perfumes,
  Unguent, powdered, or liquid—troubled, confused
  And drowned the sense in odours; stirred by the air
  That freshened from the window, these ascended                          90
  In fattening the prolonged candle-flames,
  Flung their smoke into the laquearia,
  Stirring the pattern on the coffered ceiling.
  Huge sea-wood fed with copper
  Burned green and orange, framed by the coloured stone,
  In which sad light a carvèd dolphin swam.
  Above the antique mantel was displayed
  As though a window gave upon the sylvan scene
  The change of Philomel, by the barbarous king
  So rudely forced; yet there the nightingale                             100
  Filled all the desert with inviolable voice
  And still she cried, and still the world pursues,
  "Jug Jug" to dirty ears.
  And other withered stumps of time
  Were told upon the walls; staring forms
  Leaned out, leaning, hushing the room enclosed.
  Footsteps shuffled on the stair.
  Under the firelight, under the brush, her hair
  Spread out in fiery points
  Glowed into words, then would be savagely still.                        110

  "My nerves are bad to-night. Yes, bad. Stay with me.
  "Speak to me. Why do you never speak. Speak.
  "What are you thinking of? What thinking? What?
  "I never know what you are thinking. Think."

  I think we are in rats' alley
  Where the dead men lost their bones.

  "What is that noise?"
                               The wind under the door.
  "What is that noise now? What is the wind doing?"
                               Nothing again nothing.                     120
  "Do
  "You know nothing? Do you see nothing? Do you remember
  "Nothing?"

     I remember
  Those are pearls that were his eyes.
  "Are you alive, or not? Is there nothing in your head?"
  But
  O O O O that Shakespeherian Rag—
  It's so elegant
  So intelligent                                                          130
  "What shall I do now? What shall I do?"
  I shall rush out as I am, and walk the street
  "With my hair down, so. What shall we do tomorrow?
  "What shall we ever do?"
                                       The hot water at ten.
  And if it rains, a closed car at four.
  And we shall play a game of chess,
  Pressing lidless eyes and waiting for a knock upon the door.

  When Lil's husband got demobbed, I said—
  I didn't mince my words, I said to her myself,                          140
  HURRY UP PLEASE IT'S TIME
  Now Albert's coming back, make yourself a bit smart.
  He'll want to know what you done with that money he gave you
  To get yourself some teeth. He did, I was there.
  You have them all out, Lil, and get a nice set,
  He said, I swear, I can't bear to look at you.
  And no more can't I, I said, and think of poor Albert,
  He's been in the army four years, he wants a good time,
  And if you don't give it him, there's others will, I said.
  Oh is there, she said. Something o' that, I said.                       150
  Then I'll know who to thank, she said, and give me a straight look.
  HURRY UP PLEASE IT'S TIME
  If you don't like it you can get on with it, I said.
  Others can pick and choose if you can't.
  But if Albert makes off, it won't be for lack of telling.
  You ought to be ashamed, I said, to look so antique.
  (And her only thirty-one.)
  I can't help it, she said, pulling a long face,
  It's them pills I took, to bring it off, she said.
  (She's had five already, and nearly died of young George.)              160
  The chemist said it would be all right, but I've never been the same.
  You are a proper fool, I said.
  Well, if Albert won't leave you alone, there it is, I said,
  What you get married for if you don't want children?
  HURRY UP PLEASE IT'S TIME
  Well, that Sunday Albert was home, they had a hot gammon,
  And they asked me in to dinner, to get the beauty of it hot—
  HURRY UP PLEASE IT'S TIME
  HURRY UP PLEASE IT'S TIME
  Goonight Bill. Goonight Lou. Goonight May. Goonight.                    170
  Ta ta. Goonight. Goonight.
  Good night, ladies, good night, sweet ladies, good night, good night.







III. THE FIRE SERMON

  The river's tent is broken: the last fingers of leaf
  Clutch and sink into the wet bank. The wind
  Crosses the brown land, unheard. The nymphs are departed.
  Sweet Thames, run softly, till I end my song.
  The river bears no empty bottles, sandwich papers,
  Silk handkerchiefs, cardboard boxes, cigarette ends
  Or other testimony of summer nights. The nymphs are departed.
  And their friends, the loitering heirs of city directors;               180
  Departed, have left no addresses.
  By the waters of Leman I sat down and wept . . .
  Sweet Thames, run softly till I end my song,
  Sweet Thames, run softly, for I speak not loud or long.
  But at my back in a cold blast I hear
  The rattle of the bones, and chuckle spread from ear to ear.
  A rat crept softly through the vegetation
  Dragging its slimy belly on the bank
  While I was fishing in the dull canal
  On a winter evening round behind the gashouse                           190
  Musing upon the king my brother's wreck
  And on the king my father's death before him.
  White bodies naked on the low damp ground
  And bones cast in a little low dry garret,
  Rattled by the rat's foot only, year to year.
  But at my back from time to time I hear
  The sound of horns and motors, which shall bring
  Sweeney to Mrs. Porter in the spring.
  O the moon shone bright on Mrs. Porter
  And on her daughter                                                     200
  They wash their feet in soda water
  Et O ces voix d'enfants, chantant dans la coupole!

  Twit twit twit
  Jug jug jug jug jug jug
  So rudely forc'd.
  Tereu

  Unreal City
  Under the brown fog of a winter noon
  Mr. Eugenides, the Smyrna merchant
  Unshaven, with a pocket full of currants                                210
  C.i.f. London: documents at sight,
  Asked me in demotic French
  To luncheon at the Cannon Street Hotel
  Followed by a weekend at the Metropole.

  At the violet hour, when the eyes and back
  Turn upward from the desk, when the human engine waits
  Like a taxi throbbing waiting,
  I Tiresias, though blind, throbbing between two lives,
  Old man with wrinkled female breasts, can see
  At the violet hour, the evening hour that strives                       220
  Homeward, and brings the sailor home from sea,
  The typist home at teatime, clears her breakfast, lights
  Her stove, and lays out food in tins.
  Out of the window perilously spread
  Her drying combinations touched by the sun's last rays,
  On the divan are piled (at night her bed)
  Stockings, slippers, camisoles, and stays.
  I Tiresias, old man with wrinkled dugs
  Perceived the scene, and foretold the rest—
  I too awaited the expected guest.                                       230
  He, the young man carbuncular, arrives,
  A small house agent's clerk, with one bold stare,
  One of the low on whom assurance sits
  As a silk hat on a Bradford millionaire.
  The time is now propitious, as he guesses,
  The meal is ended, she is bored and tired,
  Endeavours to engage her in caresses
  Which still are unreproved, if undesired.
  Flushed and decided, he assaults at once;
  Exploring hands encounter no defence;                                   240
  His vanity requires no response,
  And makes a welcome of indifference.
  (And I Tiresias have foresuffered all
  Enacted on this same divan or bed;
  I who have sat by Thebes below the wall
  And walked among the lowest of the dead.)
  Bestows one final patronising kiss,
  And gropes his way, finding the stairs unlit . . .

  She turns and looks a moment in the glass,
  Hardly aware of her departed lover;                                     250
  Her brain allows one half-formed thought to pass:
  "Well now that's done: and I'm glad it's over."
  When lovely woman stoops to folly and
  Paces about her room again, alone,
  She smooths her hair with automatic hand,
  And puts a record on the gramophone.

  "This music crept by me upon the waters"
  And along the Strand, up Queen Victoria Street.
  O City city, I can sometimes hear
  Beside a public bar in Lower Thames Street,                             260
  The pleasant whining of a mandoline
  And a clatter and a chatter from within
  Where fishmen lounge at noon: where the walls
  Of Magnus Martyr hold
  Inexplicable splendour of Ionian white and gold.

       The river sweats
       Oil and tar
       The barges drift
       With the turning tide
       Red sails                                                          270
       Wide
       To leeward, swing on the heavy spar.
       The barges wash
       Drifting logs
       Down Greenwich reach
       Past the Isle of Dogs.
            Weialala leia
            Wallala leialala
       Elizabeth and Leicester
       Beating oars                                                       280
       The stern was formed
       A gilded shell
       Red and gold
       The brisk swell
       Rippled both shores
       Southwest wind
       Carried down stream
       The peal of bells
       White towers
            Weialala leia                                                 290
            Wallala leialala

  "Trams and dusty trees.
  Highbury bore me. Richmond and Kew
  Undid me. By Richmond I raised my knees
  Supine on the floor of a narrow canoe."

  "My feet are at Moorgate, and my heart
  Under my feet. After the event
  He wept. He promised 'a new start'.
  I made no comment. What should I resent?"
  "On Margate Sands.                                                      300
  I can connect
  Nothing with nothing.
  The broken fingernails of dirty hands.
  My people humble people who expect
  Nothing."
       la la

  To Carthage then I came

  Burning burning burning burning
  O Lord Thou pluckest me out
  O Lord Thou pluckest me out                                              310

  







IV. DEATH BY WATER

  Phlebas the Phoenician, a fortnight dead,
  Forgot the cry of gulls, and the deep sea swell
  And the profit and loss.
                                           A current under sea
  Picked his bones in whispers. As he rose and fell
  He passed the stages of his age and youth
  Entering the whirlpool.
                                         Gentile or Jew
  O you who turn the wheel and look to windward,                          320
  Consider Phlebas, who was once handsome and tall as you.







V. WHAT THE THUNDER SAID

  After the torchlight red on sweaty faces
  After the frosty silence in the gardens
  After the agony in stony places
  The shouting and the crying
  Prison and palace and reverberation
  Of thunder of spring over distant mountains
  He who was living is now dead
  We who were living are now dying
  With a little patience                                                  330

  Here is no water but only rock
  Rock and no water and the sandy road
  The road winding above among the mountains
  Which are mountains of rock without water
  If there were water we should stop and drink
  Amongst the rock one cannot stop or think
  Sweat is dry and feet are in the sand
  If there were only water amongst the rock
  Dead mountain mouth of carious teeth that cannot spit
  Here one can neither stand nor lie nor sit                              340
  There is not even silence in the mountains
  But dry sterile thunder without rain
  There is not even solitude in the mountains
  But red sullen faces sneer and snarl
  From doors of mudcracked houses
  If there were water
  And no rock
  If there were rock
  And also water
  And water                                                               350
  A spring
  A pool among the rock
  If there were the sound of water only
  Not the cicada
  And dry grass singing
  But sound of water over a rock
  Where the hermit-thrush sings in the pine trees
  Drip drop drip drop drop drop drop
  But there is no water

  Who is the third who walks always beside you?                          360
  When I count, there are only you and I together
  But when I look ahead up the white road
  There is always another one walking beside you
  Gliding wrapt in a brown mantle, hooded
  I do not know whether a man or a woman
  —But who is that on the other side of you?

  What is that sound high in the air
  Murmur of maternal lamentation
  Who are those hooded hordes swarming
  Over endless plains, stumbling in cracked earth                         370
  Ringed by the flat horizon only
  What is the city over the mountains
  Cracks and reforms and bursts in the violet air
  Falling towers
  Jerusalem Athens Alexandria
  Vienna London
  Unreal

  A woman drew her long black hair out tight
  And fiddled whisper music on those strings
  And bats with baby faces in the violet light                            380
  Whistled, and beat their wings
  And crawled head downward down a blackened wall
  And upside down in air were towers
  Tolling reminiscent bells, that kept the hours
  And voices singing out of empty cisterns and exhausted wells.

  In this decayed hole among the mountains
  In the faint moonlight, the grass is singing
  Over the tumbled graves, about the chapel
  There is the empty chapel, only the wind's home.
  It has no windows, and the door swings,                                 390
  Dry bones can harm no one.
  Only a cock stood on the rooftree
  Co co rico co co rico
  In a flash of lightning. Then a damp gust
  Bringing rain

  Ganga was sunken, and the limp leaves
  Waited for rain, while the black clouds
  Gathered far distant, over Himavant.
  The jungle crouched, humped in silence.
  Then spoke the thunder                                                  400
  DA
  Datta: what have we given?
  My friend, blood shaking my heart
  The awful daring of a moment's surrender
  Which an age of prudence can never retract
  By this, and this only, we have existed
  Which is not to be found in our obituaries
  Or in memories draped by the beneficent spider
  Or under seals broken by the lean solicitor
  In our empty rooms                                                     410
  DA
  Dayadhvam: I have heard the key
  Turn in the door once and turn once only
  We think of the key, each in his prison
  Thinking of the key, each confirms a prison
  Only at nightfall, aetherial rumours
  Revive for a moment a broken Coriolanus
  DA
  Damyata: The boat responded
  Gaily, to the hand expert with sail and oar                            420
  The sea was calm, your heart would have responded
  Gaily, when invited, beating obedient
  To controlling hands

                                       I sat upon the shore
  Fishing, with the arid plain behind me
  Shall I at least set my lands in order?
  London Bridge is falling down falling down falling down
  Poi s'ascose nel foco che gli affina
  Quando fiam ceu chelidon— O swallow swallow
  Le Prince d'Aquitaine à la tour abolie                                 430
  These fragments I have shored against my ruins
  Why then Ile fit you. Hieronymo's mad againe.
  Datta. Dayadhvam. Damyata.
                             Shantih    shantih    shantih

  Line 416 aetherial] aethereal
  Line 429 ceu] uti— Editor



NOTES ON "THE WASTE LAND"

Not only the title, but the plan and a good deal of the incidental
symbolism of the poem were suggested by Miss Jessie L. Weston's book on
the Grail legend: From Ritual to Romance (Macmillan).<1> Indeed, so
deeply am I indebted, Miss Weston's book will elucidate the difficulties
of the poem much better than my notes can do; and I recommend it (apart
from the great interest of the book itself) to any who think such
elucidation of the poem worth the trouble. To another work of
anthropology I am indebted in general, one which has influenced our
generation profoundly; I mean The Golden Bough; I have used especially
the two volumes Adonis, Attis, Osiris. Anyone who is acquainted with
these works will immediately recognise in the poem certain references to
vegetation ceremonies.

  <1> Macmillan] Cambridge.

  I. THE BURIAL OF THE DEAD

  Line 20.  Cf.  Ezekiel 2:1.

  23.  Cf.  Ecclesiastes 12:5.

  31.  V.  Tristan und Isolde, i, verses 5-8.

  42.  Id.  iii, verse 24.

  46.  I am not familiar with the exact constitution of the Tarot pack
  of cards, from which I have obviously departed to suit my own convenience.
  The Hanged Man, a member of the traditional pack, fits my purpose
  in two ways:  because he is associated in my mind with the Hanged God
  of Frazer, and because I associate him with the hooded figure in
  the passage of the disciples to Emmaus in Part V. The Phoenician Sailor
  and the Merchant appear later; also the "crowds of people," and
  Death by Water is executed in Part IV.  The Man with Three Staves
  (an authentic member of the Tarot pack) I associate, quite arbitrarily,
  with the Fisher King himself.

  60.  Cf.  Baudelaire:

       "Fourmillante cité, cité; pleine de rêves,
       Où le spectre en plein jour raccroche le passant."

  63.  Cf.  Inferno, iii.  55-7.

                                     "si lunga tratta
       di gente, ch'io non avrei mai creduto
       che morte tanta n'avesse disfatta."

  64.  Cf.  Inferno, iv.  25-7:

       "Quivi, secondo che per ascoltare,
       "non avea pianto, ma' che di sospiri,
       "che l'aura eterna facevan tremare."

  68.  A phenomenon which I have often noticed.

  74.  Cf.  the Dirge in Webster's White Devil.

  76.  V. Baudelaire, Preface to Fleurs du Mal.

  II.  A GAME OF CHESS

  77.  Cf.  Antony and Cleopatra, II. ii., l. 190.

  92.  Laquearia.  V.  Aeneid, I. 726:

       dependent lychni laquearibus aureis
       incensi, et noctem flammis funalia vincunt.

  98.  Sylvan scene.  V. Milton, Paradise Lost, iv.  140.

  99.  V. Ovid, Metamorphoses, vi, Philomela.

  100.  Cf.  Part III, l. 204.

  115.  Cf.  Part III, l. 195.

  118.  Cf.  Webster:  "Is the wind in that door still?"

  126.  Cf.  Part I, l. 37, 48.

  138.  Cf.  the game of chess in Middleton's Women beware Women.

  III.  THE FIRE SERMON

  176.  V. Spenser, Prothalamion.

  192.  Cf.  The Tempest, I.  ii.

  196.  Cf.  Marvell, To His Coy Mistress.

  197.  Cf.  Day, Parliament of Bees:

       "When of the sudden, listening, you shall hear,
       "A noise of horns and hunting, which shall bring
       "Actaeon to Diana in the spring,
       "Where all shall see her naked skin . . ."

  199.  I do not know the origin of the ballad from which these lines
  are taken:  it was reported to me from Sydney, Australia.

  202.  V. Verlaine, Parsifal.

  210.  The currants were quoted at a price "carriage and insurance
  free to London"; and the Bill of Lading etc. were to be handed
  to the buyer upon payment of the sight draft.

  Notes 196 and 197 were transposed in this and the Hogarth Press edition,
  but have been corrected here.

  210.  "Carriage and insurance free"] "cost, insurance and freight"-Editor.

  218.  Tiresias, although a mere spectator and not indeed a "character,"
  is yet the most important personage in the poem, uniting all the rest.
  Just as the one-eyed merchant, seller of currants, melts into
  the Phoenician Sailor, and the latter is not wholly distinct
  from Ferdinand Prince of Naples, so all the women are one woman,
  and the two sexes meet in Tiresias.  What Tiresias sees, in fact,
  is the substance of the poem.  The whole passage from Ovid is
  of great anthropological interest:

       '. . . Cum Iunone iocos et maior vestra profecto est
       Quam, quae contingit maribus,' dixisse, 'voluptas.'
       Illa negat; placuit quae sit sententia docti
       Quaerere Tiresiae: venus huic erat utraque nota.
       Nam duo magnorum viridi coeuntia silva
       Corpora serpentum baculi violaverat ictu
       Deque viro factus, mirabile, femina septem
       Egerat autumnos; octavo rursus eosdem
       Vidit et 'est vestrae si tanta potentia plagae,'
       Dixit 'ut auctoris sortem in contraria mutet,
       Nunc quoque vos feriam!' percussis anguibus isdem
       Forma prior rediit genetivaque venit imago.
       Arbiter hic igitur sumptus de lite iocosa
       Dicta Iovis firmat; gravius Saturnia iusto
       Nec pro materia fertur doluisse suique
       Iudicis aeterna damnavit lumina nocte,
       At pater omnipotens (neque enim licet inrita cuiquam
       Facta dei fecisse deo) pro lumine adempto
       Scire futura dedit poenamque levavit honore.

  221.  This may not appear as exact as Sappho's lines, but I had in mind
  the "longshore" or "dory" fisherman, who returns at nightfall.

  253.  V. Goldsmith, the song in The Vicar of Wakefield.

  257.  V.  The Tempest, as above.

  264.  The interior of St. Magnus Martyr is to my mind one of
  the finest among Wren's interiors.  See The Proposed Demolition
  of Nineteen City Churches (P. S. King & Son, Ltd.).

  266.  The Song of the (three) Thames-daughters begins here.
  From line 292 to 306 inclusive they speak in turn.
  V.  Götterdämmerung, III.  i:  the Rhine-daughters.

  279.  V. Froude, Elizabeth, Vol.  I, ch.  iv, letter of De Quadra
  to Philip of Spain:

  "In the afternoon we were in a barge, watching the games on the river.
  (The queen) was alone with Lord Robert and myself on the poop,
  when they began to talk nonsense, and went so far that Lord Robert
  at last said, as I was on the spot there was no reason why they
  should not be married if the queen pleased."

  293.  Cf.  Purgatorio, v.  133:

       "Ricorditi di me, che son la Pia;
       Siena mi fe', disfecemi Maremma."

  307.  V. St. Augustine's Confessions:  "to Carthage then I came,
  where a cauldron of unholy loves sang all about mine ears."

  308.  The complete text of the Buddha's Fire Sermon (which corresponds
  in importance to the Sermon on the Mount) from which these words are taken,
  will be found translated in the late Henry Clarke Warren's Buddhism
  in Translation (Harvard Oriental Series). Mr. Warren was one
  of the great pioneers of Buddhist studies in the Occident.

  309.  From St. Augustine's Confessions again.  The collocation
  of these two representatives of eastern and western asceticism,
  as the culmination of this part of the poem, is not an accident.

  V. WHAT THE THUNDER SAID

  In the first part of Part V three themes are employed:
  the journey to Emmaus, the approach to the Chapel Perilous
  (see Miss Weston's book) and the present decay of eastern Europe.

  357.  This is Turdus aonalaschkae pallasii, the hermit-thrush
  which I have heard in Quebec County.  Chapman says (Handbook of
  Birds of Eastern North America) "it is most at home in secluded
  woodland and thickety retreats. . . . Its notes are not remarkable
  for variety or volume, but in purity and sweetness of tone and
  exquisite modulation they are unequalled."  Its "water-dripping song"
  is justly celebrated.

  360.  The following lines were stimulated by the account of one
  of the Antarctic expeditions (I forget which, but I think one
  of Shackleton's): it was related that the party of explorers,
  at the extremity of their strength, had the constant delusion
  that there was one more member than could actually be counted.

  367-77. Cf.  Hermann Hesse, Blick ins Chaos:

  "Schon ist halb Europa, schon ist zumindest der halbe Osten Europas auf dem
  Wege zum Chaos, fährt betrunken im heiligem Wahn am Abgrund entlang
  und singt dazu, singt betrunken und hymnisch wie Dmitri Karamasoff sang.
  Ueber diese Lieder lacht der Bürger beleidigt, der Heilige
  und Seher hört sie mit Tränen."

  402.  "Datta, dayadhvam, damyata" (Give, sympathize,
  control). The fable of the meaning of the Thunder is found
  in the Brihadaranyaka—Upanishad, 5, 1.  A translation is found
  in Deussen's Sechzig Upanishads des Veda, p.  489.

  408.  Cf.  Webster, The White Devil, v.  vi:

                                                      ". . . they'll remarry
     Ere the worm pierce your winding-sheet, ere the spider
     Make a thin curtain for your epitaphs."

  412.  Cf.  Inferno, xxxiii.  46:

            "ed io sentii chiavar l'uscio di sotto
            all'orribile torre."

  Also F. H. Bradley, Appearance and Reality, p.  346:

  "My external sensations are no less private to myself than are my
  thoughts or my feelings.  In either case my experience falls within
  my own circle, a circle closed on the outside; and, with all its
  elements alike, every sphere is opaque to the others which surround
  it. . . . In brief, regarded as an existence which appears in a soul,
  the whole world for each is peculiar and private to that soul."

  425.  V. Weston, From Ritual to Romance; chapter on the Fisher King.

  428.  V.  Purgatorio, xxvi.  148.

            "'Ara vos prec per aquella valor
             'que vos guida al som de l'escalina,
             'sovegna vos a temps de ma dolor.'
              Poi s'ascose nel foco che gli affina."

  429.  V.  Pervigilium Veneris.  Cf.  Philomela in Parts II and III.

  430.  V. Gerard de Nerval, Sonnet El Desdichado.

  432.  V. Kyd's Spanish Tragedy.

  434.  Shantih.  Repeated as here, a formal ending to an Upanishad.
  'The Peace which passeth understanding' is a feeble translation
  of the content of this word.

Tuesday, October 25, 2016

Albert Camus - The Guest (Exile and the Kingdom)

The schoolmaster was watching the two men climb toward him. One was on horseback, the other on foot. They had not yet tackled the abrupt rise leading to the schoolhouse built on the hillside. They were toiling onward, making slow progress in the snow, among the stones, on the vast expanse of the high, deserted plateau. From time to time the horse stumbled. Without hearing anything yet, he could see the breath issuing from the horses nostrils. One of the men, at least, knew the region. They were following the trail although it had disappeared days ago under a layer of dirty white snow. The schoolmaster calculated that it would take them half an hour to get onto the hill. It was cold; he went back into the school to get a sweater.
He crossed the empty, frigid classroom. On the blackboard the four rivers of France, drawn with four different colored chalks, had been flowing toward their estuaries for the past three days. Snow had suddenly fallen in mid-October after eight months of drought without the transition of rain, and the twenty pupils, more or less, who lived in the villages scattered over the plateau had stopped coming. With fair weather they would return. Daru now heated only the single room that was his lodging, adjoining the classroom. One of the windows faced, like the classroom windows, the south. On that side the school was a few kilometers from the point where the plateau began to slope toward the south. In clear weather could be seen the purple mass of the mountain range where the gap opened onto the desert.
Somewhat warmed, Daru returned to the window from which he had first seen the two men. They were no longer visible. Hence they must have tackled the rise. The sky was not so dark, for the snow had stopped falling during the night. The morning had opened with a dirty light which had scarcely become brighter as the ceiling of clouds lifted. At two in the after- noon it seemed as if the day were merely beginning. But still this was better than those three days when the thick snow was falling amidst unbroken darkness with little gusts of wind that rattled the double door of the class- room. Then Daru had spent long hours in his room, leaving it only to go to the shed and feed the chickens or get some coal. Fortunately the delivery truck from Tadjid, the nearest village to the north, had brought his supplies two days before the blizzard. It would return in forty-eight hours.
Besides, he had enough to resist a siege, for the little room was cluttered with bags of wheat that the administration left as a stock to distribute to those of his pupils whose families had suffered from the drought. Actually they had all been victims because they were all poor. Every day Daru would distribute a ration to the children. They had missed it, he knew, during these bad days. Possibly one of the fathers would come this afternoon and he could supply them with grain. It was just a matter of carrying them over to the next harvest. Now shiploads of wheat were arriving from France and the worst was over. But it would be hard to forget that poverty, that army of ragged ghosts wandering in the sunlight, the plateaus burned to a cinder month after month, the earth shriveled up little by little, literally scorched, every stone bursting into dust under one's foot. The sheep had died then by thousands and even a few men, here and there, sometimes without anyone's knowing.
In contrast with such poverty, he who lived almost like a monk in his remote schoolhouse, nonetheless satisfied with the little he had and with the rough life, had felt like a lord with his whitewashed walls, his narrow couch, his unpainted shelves, his well, and his weekly provision of water and food. And suddenly this snow, without warning, without the foretaste of rain. This is the way the region was, cruel to live in, even without men--who didn't help matters either. But Daru had been born here. Everywhere else, he felt exiled.
He went out and stepped forward onto the terrace in front of the schoolhouse. The two men were now halfway up the slope. He recognized the horseman as Balducci the old gendarme he had known for a long time. Balducci was holding on the end of a rope an Arab who was walking behind him with hands bound and head lowered. The gendarme waved a greeting to which Daru did not reply, lost as he was in contemplation of the Arab dressed in a faded blue jellaba, his feet in sandals but covered with socks of heavy raw wool, his head surmounted by a narrow, short chèche. They were approaching. Balducci was holding back his horse in order not to hurt the Arab, and the group was advancing slowly.
Within earshot, Balducci shouted: "One hour to do the three kilometers from El Ameur!" Daru did not answer. Short and square in his thick sweater he watched them climb. Not once had the Arab raised his head. "Hello," said Daru when they got up onto the terrace. "Come in and warm up." Balducci painfully got down from his horse without letting go the rope. From under his bristling mustache he smiled at the schoolmaster. His little dark eyes, deep-set under a tanned forehead, and his mouth surrounded with wrinkles made him look attentive and studious. Daru took the bridle, led the horse to the shed, and came back to the two men, who were now waiting for him in the school. He led them into his room "I am going to heat up the classroom," he said. "We'll be more comfortable there." When he entered the room again, Balducci was on the couch. He had undone the rope tying him to the Arab, who had squashed near the stove. His hands still bound, the chèche pushed back on his head, he was looking toward the window. At first Daru noticed only his huge lips, fat, smooth, almost Negroid; yet his nose was straight, his eyes were dark and full of fever. The chèche revealed an obstinate forehead and, under the weathered skin now rather discolored by the cold, the whole face had a restless and rebellious look that struck Daru when the Arab, turning his face toward him, looked him straight in the eyes. "Go into the other room," said the schoolmaster' "and I'll make you some mint tea." ''Thanks,'' Balducci said. "What a chore! How I long for retirement." And addressing his prisoner in Arabic: "Come on, you." The Arab got up and, slowly, holding his bound wrists in front of him, went into the classroom.
With the tea, Daru brought a chair. But Balducci was already enthroned on the nearest pupil's desk and the Arab had squatted against the teacher's platform facing the stove, which stood between the desk and the window. When he held out the glass of tea to the prisoner, Daru hesitated at the sight of his bound hands. "He might perhaps be untied." "Sure," said Balducci. "That was for the trip." He started to get to his feet. But Daru, setting the glass on the floor, had knelt beside the Arab. Without saying anything, the Arab watched him with his feverish eyes. Once his hands were free, he rubbed his swollen wrists against each other, took the glass of tea, and sucked up the burning liquid in swift little sips.
"Good," said Daru. "And where are you headed?"
Balducci withdrew his mustache from the tea. "Here, Son."
"Odd pupils! And you're spending the night?"
"No. I'm going back to El Ameur. And you will deliver this fellow to Tinguit. He is expected at police headquarters."
Balducci was looking at Daru with a friendly little smile.
"What's this story?" asked the schoolmaster. "Are you pulling my leg?"
"No, son. Those are the orders."
"The orders? I'm not . . ." Daru hesitated, not wanting to hurt the old Corsican. "I mean, that's not my job."
"What! What's the meaning of that? In wartime people do all kinds of jobs."
"Then I'll wait for the declaration of war!"
Balducci nodded. "O.K. But the orders exist and they concern you too. Things are brewing, it appears. There is talk of a forthcoming revolt. We are mobilized, in a way.”
Daru still had his obstinate look.
Listen, Son," Balducci said. "I like you and you must understand. There's only a dozen of us at El Ameur to patrol throughout the whole territory of a small department and I must get back in a hurry. I was told to hand this guy over to you and return without delay. He couldn't be kept there. His village was beginning to stir; they wanted to take him back. You must take him to Tinguit tomorrow before the day is over. Twenty kilometers shouldn't faze a husky fellow like you. After that, all will be over. You'll come back to your pupils and your comfortable life."
Behind the wall the horse could be heard snorting and pawing the earth. Daru was looking out the window. Decidedly, the weather was clearing and the light was increasing over the snowy plateau. When all the snow had melted, the sun would take over again and once more would burn the fields of stone. For days, still, the unchanging sky would shed its dry light on the solitary expanse where nothing had any connection with man.
"After all," he said, turning around toward Balducci, "what did he do?" And, before the gendarme had opened his mouth, he asked: "Does he speak French?"
"No, not a word. We had been looking for him for a month, but they were hiding him. He killed his cousin."
"Is he against us?"
"I don't think so. But you can never be sure."
"Why did he kill?"
"A family squabble, I think one owned the other grain, it seems. It's not all clear. In short, he killed his cousin with a billhook. You know, like a sheep, kreezk!"
Balducci made the gesture of drawing a blade across his throat and the Arab, his attention attracted, watched him with a sort of anxiety. Daru felt a sudden wrath against the man, against all men with their rotten spite, their tireless hates, their blood lust.
But the kettle was singing on the stove. He served Balducci more tea hesitated, then served the Arab again, who, a second time, drank avidly his raised arms made the jellaba fall open and the schoolmaster saw his thin, muscular chest.
"Thanks, kid," Balducci said. "And now, I'm off."
He got up and went toward the Arab, taking a small rope from his pocket.
"What are you doing?" Daru asked dryly.
Balducci, disconcerted, showed him the rope.
"Don't bother."
The old gendarme hesitated. "It's up to you. Of course, you are armed?"
"I have my shotgun."
"Where?"
"In the trunk."
"You ought to have it near your bed."
"Why? I have nothing to fear."
"You're crazy, son. If there's an uprising, no one is safe; we're all in the same boat."
"I'll defend myself. I'll have time to see them coming."
Balducci began to laugh, then suddenly the mustache covered the white teeth.
"You'll have time? O.K. That's just what I was saying. You have always been a little cracked. That's why I like you, my son was like that."
At the same time he took out his revolver and put it on the desk.
"Keep it; I don't need two weapons from here to El Ameur."
The revolver shone against the black paint of the table. When the gendarme turned toward him, the schoolmaster caught the smell of leather and horseflesh.
"Listen, Balducci," Daru said suddenly, "every bit of this disgusts me, and first of all your fellow here. But I won't hand him over. Fight, yes, if I have to. But not that."
The old gendarme stood in front of him and looked at him severely.
"You're being a fool," he said slowly. "I don't like it either. You don't get used to putting a rope on a man even after years of it, and you're even ashamed--yes, ashamed. But you can't let them have their way."
"I won't hand him over," Daru said again.
"It's an order, son, and I repeat it."
"That's right. Repeat to them what I've said to you: I won't hand him over."
Balducci made a visible effort to reflect. He looked at the Arab and at Daru. At last he decided.
"No, I won't tell them anything. If you want to drop us, go ahead. I'll not denounce you. I have an order to deliver the prisoner and I'm doing so. And now you'll just sign this paper for me."
"There's no need. I'll not deny that you left him with me."
"Don't be mean with me. I know you'll tell the truth. You're from hereabouts and you are a man. But you must sign, that's the rule."
Daru opened his drawer, took out a little square bottle of purple ink, the red wooden penholder with the "sergeant-major" pen he used for making models of penmanship, and signed. The gendarme carefully folded the paper and put it into his wallet. Then he moved toward the door.
"I'll see you off," Daru said.
"No," said Balducci. "There's no use being polite. You insulted me."
He looked at the Arab, motionless in the same spot, sniffed peevishly, and turned away toward the door. "Good-by, son," he said. The door shut behind him. Balducci appeared suddenly outside the window and then disappeared. His footsteps were muffled by the snow. The horse stirred on the other side of the wall and several chickens fluttered in fright. A moment later Balducci reappeared outside the window leading the horse by the bridle. He walked toward the little rise without turning around and disappeared from sight with the horse following him. A big stone could be heard bouncing down.
Daru walked back toward the prisoner, who, without stirring, never took his eyes off him. "Wait," the schoolmaster said in Arabic and went toward the bedroom. As he was going through the door, he had a second thought, went to the desk, took the revolver, and stuck it in his pocket. Then, without looking back, he went into his room.
For some time he lay on his couch watching the sky gradually close over, listening to the silence. It was this silence that had seemed painful to him during the first days here, after the war. He had requested a post in the little town at the base of the foothills separating the upper plateaus from the desert. There, rocky walls, green and black to the north, pink and lavender to the south, marked the frontier of eternal summer. He had been named to a post farther north, on the plateau itself. In the beginning, the solitude and the silence had been hard for him on these wastelands peopled only by stones. Occasionally, furrows suggested cultivation, but they had been dug to uncover a certain kind of stone good for building. The only plowing here was to harvest rocks. Elsewhere a thin layer of soil accumulated in the hollows would be scraped out to enrich paltry village gardens. This is the way it was: bare rock covered three quarters of the region. Towns sprang up, flourished, then disappeared; men came by, loved one another or fought bitterly, then died. No one in this desert, neither he nor his guest, mattered. And yet, outside this desert neither of them, Daru knew, could have really lived.
When he got up, no noise came from the classroom. He was amazed at the unmixed joy he derived from the mere thought that the Arab might have fled and that he would be alone with no decision to make. But the prisoner was there. He had merely stretched out between the stove and the desk. With eyes open, he was staring at the ceiling. In that position, his thick lips were particularly noticeable, giving him a pouting look. "Come," said Daru. The Arab got up and followed him. In the bedroom, the schoolmaster pointed to a chair near the table under the window. The Arab sat down without taking his eyes off Daru.
"Are you hungry?"
"Yes," the prisoner said.
Daru set the table for two. He took flour and oil, shaped a cake in a frying-pan, and lighted the little stove that functioned on bottled gas. While the cake was cooking, he went out to the shed to get cheese, eggs, dates and condensed milk. When the cake was done he set it on the window sill to cool, heated some condensed milk diluted with water, and beat up the eggs into an omelette. In one of his motions he knocked against the revolver stuck m his right pocket. He set the bowl down, went into the classroom and put the revolver in his desk drawer. When he came back to the room night was falling. He put on the light and served the Arab. "Eat," he said. The Arab took a piece of the cake, lifted it eagerly to his mouth, and stopped short.
"And you?" he asked.
"After you. I'll eat too."
The thick lips opened slightly. The Arab hesitated, then bit into the cake determinedly.
The meal over, the Arab looked at the schoolmaster. "Are you the judge?"
"No, I'm simply keeping you until tomorrow."
"Why do you eat with me?"
"I'm hungry."
The Arab fell silent. Daru got up and went out. He brought back a folding bed from the shed, set it up between the table and the stove, perpendicular to his own bed. From a large suitcase which, upright in a corner, served as a shelf for papers, he took two blankets and arranged them on the camp bed. Then he stopped, felt useless, and sat down on his bed. There was nothing more to do or to get ready. He had to look at this man. He looked at him, therefore, trying to imagine his face bursting with rage. He couldn't do so. He could see nothing but the dark yet shining eyes and the animal mouth.
"Why did you kill him?" he asked in a voice whose hostile tone surprised him.
The Arab looked away.
"He ran away. I ran after him."
He raised his eyes to Daru again and they were full of a sort of woeful interrogation. "Now what will they do to me?"
"Are you afraid?"
He stiffened, turning his eyes away.
"Are you sorry?"
The Arab stared at him openmouthed. Obviously he did not understand. Daru's annoyance was growing. At the same time he felt awkward and self-conscious with his big body wedged between the two beds.
"Lie down there," he said impatiently. "That's your bed."
The Arab didn't move. He called to Daru:
"Tell me!"
The schoolmaster looked at him.
"Is the gendarme coming back tomorrow?"
"I don't know."
"Are you coming with us?"
"I don't know. Why?"
The prisoner got up and stretched out on top of the blankets, his feet toward the window. The light from the electric bulb shone straight into his eyes and he closed them at once.
"Why?" Daru repeated, standing beside the bed.
The Arab opened his eyes under the blinding light and looked at him, trying not to blink.
"Come with us," he said.
In the middle of the night, Daru was still not asleep. He had gone to bed after undressing completely; he generally slept naked. But when he suddenly realized that he had nothing on, he hesitated. He felt vulnerable and the temptation came to him to put his clothes back on. Then he shrugged his shoulders; after all, he wasn't a child and, if need be, he could break his adversary in two. From his bed he could observe him, lying on his back, still motionless with his eyes closed under the harsh light. When Daru turned out the light, the darkness seemed to coagulate all of a sudden. Little by little, the night came back to life in the window where the starless sky was stirring gently. The schoolmaster soon made out the body lying at his feet. The Arab still did not move, but his eyes seemed open. A light wind was prowling around the schoolhouse. Perhaps it would drive away the clouds and the sun would reappear.
During the night the wind increased. The hens fluttered a little and then were silent. The Arab turned over on his side with his back to Daru, who thought he heard him moan. Then he listened for his guest's breathing, become heavier and more regular. He listened to that breath so close to him and mused without being able to go to sleep. In this room where he had been sleeping alone for a year, this presence bothered him. But it bothered him also by imposing on him a sort of brotherhood he knew well but refused to accept in the present circumstances. Men who share the same rooms, soldiers or prisoners, develop a strange alliance as if, having cast off their armor with their clothing, they fraternized every evening, over and above their differences, in the ancient community of dream and fatigue. But Daru shook himself; he didn't like such musings, and it was essential to sleep.
A little later, however, when the Arab stirred slightly, the schoolmaster was still not asleep. When the prisoner made a second move, he stiffened, on the alert. The Arab was lifting himself slowly on his arms with almost the motion of a sleepwalker. Seated upright in bed, he waited motionless without turning his head toward Daru, as if he were listening attentively. Daru did not stir; it had just occurred to him that the revolver was still in the drawer of his desk. It was better to act at once. Yet he continued to observe the prisoner, who, with the same slithery motion, put his feet on the ground, waited again, then began to stand up slowly. Daru was about to call out to him when the Arab began to walk, in a quite natural but extraordinarily silent way. He was heading toward the door at the end of the room that opened into the shed. He lifted the latch with precaution and went out, pushing the door behind him but without shutting it. Daru had not stirred.
"He is running away," he merely thought. "Good riddance!" Yet he listened attentively. The hens were not fluttering; the guest must be on the plateau. A faint sound of water reached him, and he didn't know what it was until the Arab again stood framed in the doorway, closed the door carefully, and came back to bed without a sound. Then Daru turned his back on him and fell asleep. Still later he seemed, from the depths of his sleep, to hear furtive steps around the schoolhouse. "I'm dreaming! I'm dreaming!" he repeated to himself. And he went on sleeping.
When he awoke, the sky was clear; the loose window let in a cold, pure air. The Arab was asleep, hunched up under the blankets now, his mouth open, utterly relaxed. But when Daru shook him, he started dreadfully staring at Daru with wild eyes as if he had never seen him and such a frightened expression that the schoolmaster stepped back. "Don't be afraid. It's me. You must eat." The Arab nodded his head and said yes. Calm had returned to his face, but his expression was vacant and listless.
The coffee was ready. They drank it seated together on the folding bed as they munched their pieces of the cake. Then Daru led the Arab under the shed and showed him the faucet where he washed. He went back into the room, folded the blankets and the bed, made his own bed and put the room in order. Then he went through the classroom and out onto the terrace. The sun was already rising in the blue sky; a soft, bright light was bathing the deserted plateau. On the ridge the snow was melting in spots. The stones were about to reappear. Crouched on the edge of the plateau, the schoolmaster looked at the deserted expanse. He thought of Balducci. He had hurt him, for he had sent him off in a way as if he didn't want to be associated with him. He could still hear the gendarme's farewell and, without knowing why, he felt strangely empty and vulnerable.
At that moment, from the other side of the schoolhouse, the prisoner coughed. Daru listened to him almost despite himself and then furious, threw a pebble that whistled through the air before sinking into the snow. That man's stupid crime revolted him, but to hand him over was contrary to honor. Merely thinking of it made him smart with humiliation. And he cursed at one and the same time his own people who had sent him this Arab and the Arab too who had dared to kill and not managed to get away. Daru got up, walked in a circle on the terrace, waited motionless, and then went back into the schoolhouse.
The Arab, leaning over the cement floor of the shed, was washing his teeth with two fingers. Daru looked at him and said: "Come." He went back into the room ahead of the prisoner. He slipped a hunting-jacket on over his sweater and put on walking-shoes. Standing, he waited until the Arab had put on his chèche and sandals. They went into the classroom and the schoolmaster pointed to the exit, saying: "Go ahead." The fellow didn't budge. "I'm coming," said Daru. The Arab went out. Daru went back into the room and made a package of pieces of rusk, dates, and sugar. In the classroom, before going out, he hesitated a second in front of his desk, then crossed the threshold and locked the door. "That's the way," he said. He started toward the east, followed by the prisoner. But, a short distance from the schoolhouse, he thought he heard a slight sound behind them. He retraced his steps and examined the surroundings of the house, there was no one there. The Arab watched him without seeming to understand. "Come on," said Daru.
They walked for an hour and rested beside a sharp peak of limestone. The snow was melting faster and faster and the sun was drinking up the puddles at once, rapidly cleaning the plateau, which gradually dried and vibrated like the air itself. When they resumed walking, the ground rang under their feet. From time to time a bird rent the space in front of them with a joyful cry. Daru breathed in deeply the fresh morning light. He felt a sort of rapture before the vast familiar expanse, now almost entirely yellow under its dome of blue sky. They walked an hour more, descending toward the south. They reached a level height made up of crumbly rocks. From there on, the plateau sloped down, eastward, toward a low plain where there were a few spindly trees and, to the south, toward outcroppings of rock that gave the landscape a chaotic look.
Daru surveyed the two directions. There was nothing but the sky on the horizon. Not a man could be seen. He turned toward the Arab, who was looking at him blankly. Daru held out the package to him. "Take it," he said. "There are dates, bread, and sugar. You can hold out for two days. Here are a thousand francs too."
The Arab took the package and the money but kept his full hands at chest level as if he didn't know what to do with what was being given him.
"Now look," the schoolmaster said as he pointed in the direction of the east, "there's the way to Tinguit. You have a two-hour walk. At Tinguit you'll find the administration and the police. They are expecting you."
The Arab looked toward the east, still holding the package and the money against his chest. Daru took his elbow and turned him rather roughly toward the south. At the foot of the height on which they stood could be seen a faint path. "That's the trail across the plateau. In a day's walk from here you'll find pasturelands and the first nomads. They'll take you in and shelter you according to their law."
The Arab had now turned toward Daru and a sort of panic was visible in his expression. "Listen," he said.
Daru shook his head: "No, be quiet. Now I'm leaving you." He turned his back on him, took two long steps in the direction of the school, looking hesitantly at the motionless Arab and started off again. For a few minutes he heard nothing but his own step resounding on the cold ground and did not turn his head. A moment later however he turned around. The Arab was still there on the edge of the hill his arms hanging now, and he was looking at the schoolmaster. Daru felt something rise in his throat. But he swore with impatience, waved vaguely, and started off again. He had already gone some distance when he again stopped and looked. There was no longer anyone on the hill.
Daru hesitated. The sun was now rather high in the sky and was beginning to beat down on his head. The schoolmaster retraced his steps at first somewhat uncertainly, then with decision. When he reached the little hill he was bathed in sweat. He climbed it as fast as he could and stopped, out of breath, at the top. The rock-fields to the south stood out sharply against the blue sky but on the plain to the east a steamy heat was already rising. And in that slight haze, Daru, with heavy heart made out the Arab walking slowly on the road to prison.
A little later standing before the window of the classroom the school master was watching the clear light bathing the whole surface of the plateau but he hardly saw it. Behind him on the blackboard among the winding French rivers sprawled the clumsily chalked-up words he had just read. "You handed over our brother. You will pay for this." Daru looked at the sky, the plateau and beyond the invisible lands stretching all the way to the sea. In this vast landscape he had loved so much, he was alone.